The Wit and Humor of America Volume II Part 3
Potiphar, having duly performed their biennial social duty, dismissed the music, ordered the servants to count the spoons, and an hour or two after daylight went to bed. Enviable Mr. and Mrs. Potiphar!
We are now prepared for the great moral indignation of the friend who saw us eating our _dinde aux truffes_ in that remarkable supper-room.
We are waiting to hear him say in the most moderate and "gentlemanly"
manner, that it is all very well to select flaws and present them as specimens, and to learn from him, possibly with indignant publicity, that the present condition of parties is not what we have intimated. Or, in his quiet and pointed way, he may smile at our fiery a.s.sault upon edged flounces, and nuga pyramids, and the kingdom of Lilliput in general.
Yet, after all, and despite the youths who are led out, and carried home, or who stumble through the "German," this is a sober matter. My friend told us we should see the "best society." But he is a prodigious wag. Who make this country? From whom is its character of unparalleled enterprise, heroism, and success derived? Who have given it its place in the respect and the fear of the world? Who, annually, recruit its energies, confirm its progress, and secure its triumph? Who are its characteristic children, the pith, the sinew, the bone, of its prosperity? Who found, and direct, and continue its manifold inst.i.tutions of mercy and education? Who are, essentially, Americans?
Indignant friend, these cla.s.ses, whoever they may be, are the "best society," because they alone are the representatives of its character and cultivation. They are the "best society" of New York, of Boston, of Baltimore, of St. Louis, of New Orleans, whether they live upon six hundred or sixty thousand dollars a year--whether they inhabit princely houses in fashionable streets (which they often do), or not--whether their sons have graduated at Celarius's and the _Jardin Mabille_, or have never been out of their father's shops--whether they have "air" and "style," and are "so gentlemanly" and "so aristocratic," or not. Your shoemaker, your lawyer, your butcher, your clergyman--if they are simple and steady, and, whether rich or poor, are unseduced by the sirens of extravagance and ruinous display, help make up the "best society." For that mystic communion is not composed of the rich, but of the worthy; and is "best" by its virtues, and not by its vices. When Johnson, Burke, Goldsmith, Garrick, Reynolds, and their friends, met at supper in Goldsmith's rooms, where was the "best society" in England?
When George the Fourth outraged humanity in his treatment of Queen Caroline, who was the first scoundrel in Europe?
Pause yet a moment, indignant friend. Whose habits and principles would ruin this country as rapidly as it has been made? Who are enamored of a puerile imitation of foreign splendors? Who strenuously endeavor to graft the questionable points of Parisian society upon our own? Who pa.s.s a few years in Europe and return skeptical of republicanism and human improvement, longing and sighing for more sharply emphasized social distinctions? Who squander, with profuse recklessness, the hard-earned fortunes of their sires? Who diligently devote their time to nothing, foolishly and wrongly supposing that a young English n.o.bleman has nothing to do? Who, in fine, evince by their collective conduct, that they regard their Americanism as a misfortune, and are so the most deadly enemies of their country? None but what our wag facetiously termed "the best society."
If the reader doubts, let him consider its practical results in any great emporiums of "best society." Marriage is there regarded as a luxury, too expensive for any but the sons of rich men, or fortunate young men. We once heard an eminent divine a.s.sert, and only half in sport, that the rate of living was advancing so incredibly, that weddings in his experience were perceptibly diminishing. The reasons might have been many and various. But we all acknowledge the fact. On the other hand, and about the same time, a lovely damsel (ah! Clorinda!) whose father was not wealthy, who had no prospective means of support, who could do nothing but polka to perfection, who literally knew almost nothing, and who constantly shocked every fairly intelligent person by the glaring ignorance betrayed in her remarks, informed a friend at one of the Saratoga b.a.l.l.s, whither he had made haste to meet "the best society," that there were "not more than three good matches in society."
_La Dame aux Camelias_, Marie Duplessis, was to our fancy a much more feminine, and admirable, and moral, and human person, than the adored Clorinda. And yet what she said was the legitimate result of the state of our fashionable society. It worships wealth, and the pomp which wealth can purchase, more than virtue, genius or beauty. We may be told that it has always been so in every country, and that the fine society of all lands is as profuse and flashy as our own. We deny it, flatly.
Neither English, nor French, nor Italian, nor German society, is so unspeakably barren as that which is technically called "society" here.
In London, and Paris, and Vienna, and Rome, all the really eminent men and women help make up the ma.s.s of society. A party is not a mere ball, but it is a congress of the wit, beauty, and fame of the capital. It is worth while to dress, if you shall meet Macaulay, or Hallam, or Guizot, or Thiers, or Landseer, or Delaroche--Mrs. Norton, the Misses Berry, Madame Recamier, and all the brilliant women and famous foreigners. But why should we desert the pleasant pages of those men, and the recorded gossip of those women, to be squeezed flat against a wall, while young Doughface pours oyster-gravy down our shirt-front, and Caroline Pett.i.toes wonders at "Mr. Dusseldorf's" industry?
If intelligent people decline to go, you justly remark, it is their own fault. Yes, but if they stay away, it is very certainly their great gain. The elderly people are always neglected with us, and nothing surprises intelligent strangers more than the tyrannical supremacy of Young America. But we are not surprised at this neglect. How can we be, if we have our eyes open? When Caroline Pett.i.toes retreats from the floor to the sofa, and, instead of a "polker," figures at parties as a matron, do you suppose that "tough old Joes" like ourselves are going to desert the young Caroline upon the floor, for Madame Pett.i.toes upon the sofa? If the pretty young Caroline, with youth, health, freshness, a fine, budding form, and wreathed in a semi-transparent haze of flounced and flowered gauze, is so vapid that we prefer to accost her with our eyes alone, and not with our tongues, is the same Caroline married into a Madame Pett.i.toes, and fanning herself upon a sofa--no longer particularly fresh, nor young, nor pretty, and no longer budding, but very fully blown--likely to be fascinating in conversation? We can not wonder that the whole connection of Pett.i.toes, when advanced to the matron state, is entirely neglected. Proper homage to age we can all pay at home, to our parents and grandparents. Proper respect for some persons is best preserved by avoiding their neighborhood.
And what, think you, is the influence of this extravagant expense and senseless show upon these same young men and women? We can easily discover. It saps their n.o.ble ambition, a.s.sails their health, lowers their estimate of men, and their reverence for women, cherishes an eager and aimless rivalry, weakens true feeling, wipes away the bloom of true modesty, and induces an ennui, a satiety, and a kind of dilettante misanthropy, which is only the more monstrous because it is undoubtedly real. You shall hear young men of intelligence and cultivation, to whom the unprecedented circ.u.mstances of this country offer opportunities of a great and beneficent career, complaining that they were born within this blighted circle; regretting that they were not bakers and tallow-chandlers, and under no obligation to keep up appearances; deliberately surrendering all the golden possibilities of that future which this country, beyond all others, holds before them; sighing that they are not rich enough to marry the girls they love, and bitterly upbraiding fortune that they are not millionaires; suffering the vigor of their years to exhale in idle wishes and pointless regrets; disgracing their manhood by lying in wait behind their "so gentlemanly"
and "aristocratic" manners, until they can pounce upon a "fortune" and ensnare an heiress into matrimony: and so, having dragged their gifts--their horses of the sun--into a service which shames all their native pride and power, they sink in the mire; and their peers and emulators exclaim that they have "made a good thing of it."
Are these the processes by which a n.o.ble race is made and perpetuated?
At Mrs. Potiphar's we heard several Pendennises longing for a similar luxury, and announcing their firm purpose never to have wives nor houses until they could have them as splendid as jewelled Mrs. Potiphar, and her palace, thirty feet front. Where were their heads, and their hearts, and their arms? How looks this craven despondency, before the stern virtues of the ages we call dark? When a man is so voluntarily imbecile as to regret he is not rich, if that is what he wants, before he has struck a blow for wealth; or so dastardly as to renounce the prospect of love, because, sitting sighing, in velvet dressing-gown and slippers, he does not see his way clear to ten thousand a year: when young women coiffed _a merveille_, of unexceptionable "style," who, with or without a prospective penny, secretly look down upon honest women who struggle for a livelihood, like n.o.ble and Christian beings, and, as such, are rewarded; in whose society a man must forget that he has ever read, thought, or felt; who destroy in the mind the fair ideal of woman, which the genius of art, and poetry, and love, their inspirer has created; then, it seems to us, it is high time that the subject should be regarded, not as a matter of breaking b.u.t.terflies upon the wheel, but as a sad and sober question, in whose solution, all fathers and mothers, and the state itself, are interested. When keen observers, and men of the world, from Europe, are amazed and appalled at the giddy whirl and frenzied rush of our society--a society singular in history for the exaggerated prominence it a.s.signs to wealth, irrespective of the talents that ama.s.sed it, they and their possessor being usually hustled out of sight--is it not quite time to ponder a little upon the Court of Louis XIV, and the "merrie days" of King Charles II? Is it not clear that, if what our good wag, with caustic irony, called "best society," were really such, every thoughtful man would read upon Mrs. Potiphar's softly-tinted walls the terrible "mene, mene" of an imminent destruction?
Venice in her purple prime of luxury, when the famous law was pa.s.sed making all gondolas black, that the n.o.bles should not squander fortunes upon them, was not more luxurious than New York to-day. Our hotels have a superficial splendor, derived from a profusion of gilt and paint, wood and damask. Yet, in not one of them can the traveler be so quietly comfortable as in an English inn, and nowhere in New York can the stranger procure a dinner, at once so neat and elegant, and economical, as at scores of cafes in Paris. The fever of display has consumed comfort. A gondola plated with gold was no easier than a black wooden one. We could well spare a little gilt upon the walls, for more cleanliness upon the public table; nor is it worth while to cover the walls with mirrors to reflect a want of comfort. One prefers a wooden bench to a greasy velvet cushion, and a sanded floor to a soiled and threadbare carpet. An insipid uniformity is the Procrustes-bed, upon which "society" is stretched. Every new house is the counterpart of every other, with the exception of more gilt, if the owner can afford it. The interior arrangement, instead of being characteristic, instead of revealing something of the tastes and feelings of the owner, is rigorously conformed to every other interior. The same hollow and tame complaisance rules in the intercourse of society. Who dares say precisely what he thinks upon a great topic? What youth ventures to say sharp things, of slavery, for instance, at a polite dinner-table? What girl dares wear curls, when Martelle prescribes puffs or bandeaux? What specimen of Young America dares have his trousers loose or wear straps to them? We want individuality, heroism, and, if necessary, an uncompromising persistence in difference.
This is the present state of parties. They are wildly extravagant, full of senseless display; they are avoided by the pleasant and intelligent, and swarm with reckless regiments of "Brown's men." The ends of the earth contribute their choicest products to the supper, and there is everything that wealth can purchase, and all the s.p.a.cious splendor that thirty feet front can afford. They are hot, and crowded, and glaring.
There is a little weak scandal, venomous, not witty, and a stream of weary plat.i.tude, mortifying to every sensible person. Will any of our Pendennis friends intermit their indignation for a moment, and consider how many good things they have said or heard during the season? If Mr.
Potiphar's eyes should chance to fall here, will he reckon the amount of satisfaction and enjoyment he derived from Mrs. Potiphar's ball, and will that lady candidly confess what she gained from it beside weariness and disgust? What eloquent sermons we remember to have heard in which the sins and the sinners of Babylon, Jericho and Gomorrah were scathed with holy indignation. The cloth is very hard upon Cain, and completely routs the erring kings of Judah. The Spanish Inquisition, too, gets frightful knocks, and there is much eloquent exhortation to preach the gospel in the interior of Siam. Let it be preached there and G.o.d speed the Word. But also let us have a text or two in Broadway and the Avenue.
The best sermon ever preached upon society, within our knowledge, is _Vanity Fair_. Is the spirit of that story less true of New York than of London? Probably we never see Amelia at our parties, nor Lieutenant George Osborne, nor good gawky Dobbin, nor Mrs. Rebecca Sharp Crawley, nor old Steyne. We are very much pained, of course, that any author should take such dreary views of human nature. We, for our parts, all go to Mrs. Potiphar's to refresh our faith in men and women. Generosity, amiability, a catholic charity, simplicity, taste, sense, high cultivation, and intelligence, distinguish our parties. The statesman seeks their stimulating influence; the literary man, after the day's labor, desires the repose of their elegant conversation; the professional man and the merchant hurry up from down town to shuffle off the coil of heavy duty, and forget the drudgery of life in the agreeable picture of its amenities and graces presented by Mrs. Potiphar's ball.
Is this account of the matter, or _Vanity Fair_, the satire? What are the prospects of any society of which that tale is the true history?
There is a picture in the Luxembourg gallery at Paris, _The Decadence of the Romans_, which made the fame and fortune of Couture, the painter. It represents an orgie in the court of a temple, during the last days of Rome. A swarm of revellers occupy the middle of the picture, wreathed in elaborate intricacy of luxurious posture, men and women intermingled; their faces, in which the old Roman fire scarcely flickers, brutalized with excess of every kind; their heads of dishevelled hair bound with coronals of leaves, while, from goblets of an antique grace, they drain the fiery torrent which is destroying them. Around the baccha.n.a.lian feast stand, lofty upon pedestals, the statues of old Rome, looking, with marble calmness and the severity of a rebuke beyond words, upon the revellers. A youth of boyish grace, with a wreath woven in his tangled hair, and with red and drowsy eyes, sits listless upon one pedestal, while upon another stands a boy insane with drunkenness, and proffering a dripping goblet to the marble mouth of the statue. In the corner of the picture, as if just quitting the court--Rome finally departing--is a group of Romans with care-worn brows, and hands raised to their faces in melancholy meditation. In the foreground of the picture, which is painted with all the sumptuous splendor of Venetian art, is a stately vase, around which hangs a festoon of gorgeous flowers, its end dragging upon the pavement. In the background, between the columns, smiles the blue sky of Italy--the only thing Italian not deteriorated by time. The careful student of this picture, if he have been long in Paris, is some day startled by detecting, especially in the faces of the women represented, a surprising likeness to the women of Paris, and perceives, with a thrill of dismay, that the models for this picture of decadent human nature are furnished by the very city in which he lives.
THE TWO FARMERS
BY CAROLYN WELLS
Once on a Time there were Two Farmers who wished to Sell their Farms.
To One came a Buyer who offered a Fair Price, but the Farmer refused to Sell, saying he had heard rumors of a Railroad which was to be Built in his Vicinity, and he hoped The Corporation would buy his Farm at a Large Figure.
The Buyer therefore went Away, and as the Railroad never Materialized, the Farmer Sorely Regretted that he lost a Good Chance.
The Other Farmer Sold his Farm to the First Customer who came Along, although he Received but a Small Price for it. Soon Afterward a Railroad was Built right through the Same Farm, and The Railroad Company paid an Enormous Sum for the Land.
MORALS:
This Fable teaches that a Bird In The Hand is worth Two In The Bush, and The Patient Waiter Is No Loser.
SAMUEL BROWN
BY PHOEBE CARY
It was many and many a year ago, In a dwelling down in town, That a fellow there lived whom you may know, By the name of Samuel Brown; And this fellow he lived with no other thought Than to our house to come down.
I was a child, and he was a child, In that dwelling down in town, But we loved with a love that was more than love, I and my Samuel Brown,-- With a love that the ladies coveted, Me and Samuel Brown.
And this was the reason that, long ago, To that dwelling down in town, A girl came out of her carriage, courting My beautiful Samuel Brown; So that her high-bred kinsmen came, And bore away Samuel Brown, And shut him up in a dwelling house, In a street quite up in town.
The ladies, not half so happy up there, Went envying me and Brown; Yes! that was the reason (as all men know, In this dwelling down in town), That the girl came out of the carriage by night, Coquetting and getting my Samuel Brown.
But our love is more artful by far than the love If those who are older than we,-- Of many far wiser than we,-- And neither the girls that are living above, Nor the girls that are down in town, Can ever dissever my soul from the soul Of the beautiful Samuel Brown.
For the morn never shines, without bringing me lines, From my beautiful Samuel Brown; And the night's never dark, but I sit in the park With my beautiful Samuel Brown.
And often by day, I walk down in Broadway, With my darling, my darling, my life and my stay, To our dwelling down in town, To our house in the street down town.
THE WAY IT WUZ
BY JAMES WHITCOMB RILEY
Las' July--an', I presume 'Bout as hot As the ole Gran'-Jury room Where they sot!-- Fight 'twixt Mike an' Dock McGriff-- 'Pears to me jes' like as if I'd a dremp' the whole blame thing-- Allus ha'nts me roun' the gizzard When they're nightmares on the wing, An' a feller's blood 's jes' friz!
Seed the row from a to izzard-- 'Cause I wuz a-standin' as clost to 'em As me an' you is!
Tell you the way it wuz-- An' I don't want to see, Like _some_ fellers does, When they're goern to be Any kind o' fuss-- On'y makes a rumpus wuss Fer to interfere When their dander's riz-- But I wuz a-standin' as clost to 'em As me an' you is!
I wuz kind o' strayin'
Past the blame saloon-- Heerd some fiddler playin'
That "ole hee-cup tune!"
Sort o' stopped, you know, Fer a minit er so, And wuz jes' about Settin' down, when--_Jeemses whizz_!
Whole durn winder-sash fell out!
An' there laid Dock McGriff, and Mike A-straddlin' him, all b.l.o.o.d.y-like, An' both a-gittin' down to biz!-- An' I wuz a-standin' as clost to 'em As me an' you is!
I wuz the on'y man aroun'-- (Durn old-fogy town!
'Peared more like, to me, _Sund'y_ 'an _Sat.u.r.d'y!_) Dog come 'crost the road An' tuck a smell An' put right back; Mishler driv by 'ith a load O' cantalo'pes he couldn't sell-- Too mad, 'y jack!