The Secret of Sarek Part 2
Veronique long stayed thinking, questioning the past and gazing into the darkness in order to link the actual facts with the memory of her youth.
But her mind remained without a glimmer of light. Of the words which she had read, of the drawing which she had seen, nothing whatever a.s.sumed the least meaning for her or seemed susceptible of the least explanation.
She examined the sheet of paper again and again. Then, slowly, still pondering on it, she tore it into tiny pieces and threw them to the wind. When the last sc.r.a.p had been carried away, her decision was taken.
She pushed back the man's body, closed the door and walked quickly towards the village, in order to ensure that the incident should have the legal conclusion which was fitting for the moment.
But, when she returned an hour later with the mayor of Le Faouet, the rural constable and a whole group of sightseers attracted by her statements, the cabin was empty. The corpse had disappeared.
And all this was so strange, Veronique felt so plainly that, in the disordered condition of her ideas, it was impossible for her to answer the questions put to her, or to dispel the suspicions and doubts which these people might and must entertain of the truth of her evidence, the cause of her presence and even her very sanity, that she forthwith ceased to make any effort or struggle. The inn-keeper was there. She asked him which was the nearest village that she would reach by following the road and if, by so doing, she would come to a railway-station which would enable her to return to Paris. She retained the names of Scaer and Rosporden, ordered a carriage to bring her bag and overtake her on the road and set off, protected against any ill feeling by her great air of elegance and by her grave beauty.
She set off, so to speak, at random. The road was long, miles and miles long. But such was her haste to have done with these incomprehensible events and to recover her tranquillity and to forget what had happened that she walked with great strides, quite oblivious of the fact that this wearisome exertion was superfluous, since she had a carriage following her.
She went up hill and down dale and hardly thought at all, refusing to seek the solution of all the riddles that were put to her. It was the past which was reascending to the surface of her life; and she was horribly afraid of that past, which extended from her abduction by Vorski to the death of her father and her child. She wanted to think of nothing but the simple, humble life which she had contrived to lead at Besancon. There were no sorrows there, no dreams, no memories; and she did not doubt but that, amid the little daily habits which enfolded her in the modest house of her choice, she would forget the deserted cabin, the mutilated body of the man and the dreadful drawing with its mysterious inscription.
But, a little while before she came to the big market-town of Scaer, as she heard the bell of a horse trotting behind her, she saw, at the junction of the road that led to Rosporden, a broken wall, one of the remnants of a half-ruined house.
And on this broken wall, above an arrow and the number 10, she again read the fateful inscription, "V. d'H."
CHAPTER II
ON THE EDGE OF THE ATLANTIC
Veronique's state of mind underwent a sudden alteration. Even as she had fled resolutely from the threat of danger that seemed to loom up before her from the evil past, so she was now determined to pursue to the end the dread road which was opening before her.
This change was due to a tiny gleam which flashed abruptly through the darkness. She suddenly realized the fact, a simple matter enough, that the arrow denoted a direction and that the number 10 must be the tenth of a series of numbers which marked a course leading from one fixed point to another.
Was it a sign set up by one person with the object of guiding the steps of another? It mattered little. The main thing was that there was here a clue capable of leading Veronique to the discovery of the problem which interested her: by what prodigy did the initials of her maiden name reappear amid this tangle of tragic circ.u.mstances?
The carriage sent from Le Faouet overtook her. She stepped in and told the driver to go very slowly to Rosporden.
She arrived in time for dinner; and her antic.i.p.ations had not misled her. Twice she saw her signature, each time before a division in the road, accompanied by the numbers 11 and 12.
Veronique slept at Rosporden and resumed her investigations on the following morning.
The number 12, which she found on the wall of a church-yard, sent her along the road to Concarneau, which she had almost reached before she saw any further inscriptions. She fancied that she must have been mistaken, retraced her steps and wasted a whole day in useless searching.
It was not until the next day that the number 13, very nearly obliterated, directed her towards Fouesnant. Then she abandoned this direction, to follow, still in obedience to the signs, some country-roads in which she once more lost her way.
At last, four days after leaving Le Faouet, she found herself facing the Atlantic, on the great beach of Beg-Meil.
She spent two nights in the village without gathering the least reply to the discreet questions which she put to the inhabitants. At last, one morning, after wandering among the half-buried groups of rocks which intersect the beach and upon the low cliffs, covered with trees and copses, which hem it in, she discovered, between two oaks stripped of their bark, a shelter built of earth and branches which must at one time have been used by custom-house officers. A small menhir stood at the entrance. The menhir bore the inscription, followed by the number 17. No arrow. A full stop underneath; and that was all.
In the shelter were three broken bottles and some empty meat-tins.
"This was the goal," thought Veronique. "Some one has been having a meal here. Food stored in advance, perhaps."
Just then she noticed that, at no great distance, by the edge of a little bay which curved like a sh.e.l.l amid the neighbouring rocks, a boat was swinging to and fro, a motor-boat. And she heard voices coming from the village, a man's voice and a woman's.
From the place where she stood, all that she could see at first was an elderly man carrying in his arms half-a-dozen bags of provisions, potted meats and dried vegetables. He put them on the ground and said:
"Well, had a pleasant journey, M'ame Honorine?"
"Fine!"
"And where have you been?"
"Why, Paris . . . a week of it . . . running errands for my master."
"Glad to be back?"
"Of course I am."
"And you see, M'ame Honorine, you find your boat just where she was. I came to have a look at her every day. This morning I took away her tarpaulin. Does she run as well as ever?"
"First-rate."
"Besides, you're a master pilot, you are. Who'd have thought, M'ame Honorine, that you'd be doing a job like this?"
"It's the war. All the young men in our island are gone and the old ones are fishing. Besides, there's no longer a fortnightly steamboat service, as there used to be. So I go the errands."
"What about petrol?"
"We've plenty to go on with. No fear of that."
"Well, good-bye for the present, M'ame Honorine. Shall I help you put the things on board?"
"Don't you trouble; you're in a hurry."
"Well, good-bye for the present," the old fellow repeated. "Till next time, M'ame Honorine. I'll have the parcels ready for you."
He went away, but, when he had gone a little distance, called out:
"All the same, mind the jagged reefs round that blessed island of yours!
I tell you, it's got a nasty name! It's not called Coffin Island, the island of the thirty coffins, for nothing! Good luck to you, M'ame Honorine!"
He disappeared behind a rock.
Veronique had shuddered. The thirty coffins! The very words which she had read in the margin of that horrible drawing!
She leant forward. The woman had come a few steps nearer the boat and, after putting down some more provisions which she had been carrying, turned round.
Veronique now saw her full-face. She wore a Breton costume; and her head-dress was crowned by two black wings.
"Oh," stammered Veronique, "that head-dress in the drawing . . . the head-dress of the three crucified women!"
The Breton woman looked about forty. Her strong face, tanned by the sun and the cold, was bony and rough-hewn but lit up by a pair of large, dark, intelligent, gentle eyes. A heavy gold chain hung down upon her breast. Her velvet bodice fitted her closely.