The Madonna in Art Part 6
The Sistine Madonna is above all words of praise; all extravagance of expression is silenced before her simplicity. Hers is the beauty of symmetrically developed womanhood; the perfect poise of her figure is not more marked than the perfect poise of her character. Not one false note, not one exaggerated emphasis, jars upon the harmony of body, soul, and spirit. Confident, but entirely una.s.suming; serious, but without sadness; joyous, but not to mirthfulness; eager, but without haste; she moves steadily forward with steps timed to the rhythmic music of the spheres. The child is no burden, but a part of her very being. The two are one in love, thought, and purpose. Sharing the secret of his sacred calling, the mother bears her son forth to meet his glorious destiny.
Art can pay no higher tribute to Mary, the Mother of Jesus, than to show her in this phase of her motherhood. We sympathize with her maternal tenderness, lavishing fond caresses upon her child. We go still deeper into her experience when we see her bowed in sweet humility before the cares and duties she is called upon to a.s.sume.
But we are admitted to the most cherished aspirations of her soul, when we see her oblivious of self, carrying her child forth to the service of humanity. It is thus that she becomes one of his "witnesses unto the people;" it is thus that "all generations shall call her blessed."