The Chouans Part 15
The coach rolled on over the sandy road. To Mademoiselle de Verneuil's eyes all seemed changed. Death was gliding beside her love. Perhaps it was only fancy, but, to a woman who loves, fancy is as vivid as reality. Francine, who had clearly understood from Marche-a-Terre's glance that Mademoiselle de Verneuil's fate, over which she had commanded him to watch, was in other hands than his, looked pale and haggard, and could scarcely restrain her tears when her mistress spoke to her. To her eyes Madame du Gua's female malignancy was scarcely concealed by her treacherous smiles, and the sudden changes which her obsequious attentions to Mademoiselle de Verneuil made in her manners, voice, and expression was of a nature to frighten a watchful observer. Mademoiselle de Verneuil herself shuddered instinctively, asking herself, "Why should I fear? She is his mother." Then she trembled in every limb as the thought crossed her mind, "Is she really his mother?" An abyss suddenly opened before her, and she cast a look upon the mother and son, which finally enlightened her. "That woman loves him!" she thought. "But why has she begun these attentions after showing me such coolness? Am I lost? or-is she afraid of me?"
As for the young man, he was flushed and pale by turns; but he kept a quiet att.i.tude and lowered his eyes to conceal the emotions which agitated him. The graceful curve of his lips was lost in their close compression, and his skin turned yellow under the struggle of his stormy thoughts. Mademoiselle de Verneuil was unable to decide whether any love for her remained in his evident anger. The road, flanked by woods at this particular point, became darker and more gloomy, and the obscurity prevented the eyes of the silent travellers from questioning each other. The sighing of the wind, the rustling of the trees, the measured step of the escort, gave that almost solemn character to the scene which quickens the pulses. Mademoiselle de Verneuil could not long try in vain to discover the reason of this change. The recollection of Corentin came to her like a flash, and reminded her suddenly of her real destiny. For the first time since the morning she reflected seriously on her position. Until then she had yielded herself up to the delight of loving, without a thought of the past or of the future. Unable to bear the agony of her mind, she sought, with the patience of love, to obtain a look from the young man's eyes, and when she did so her paleness and the quiver in her face had so penetrating an influence over him that he wavered; but the softening was momentary.
"Are you ill, mademoiselle?" he said, but his voice had no gentleness; the very question, the look, the gesture, all served to convince her that the events of this day belonged to a mirage of the soul which was fast disappearing like mists before the wind.
"Am I ill?" she replied, with a forced laugh. "I was going to ask you the same question."
"I supposed you understood each other," remarked Madame du Gua with specious kindliness.
Neither the young man nor Mademoiselle de Verneuil replied. The girl, doubly insulted, was angered at feeling her powerful beauty powerless. She knew she could discover the cause of the present situation the moment she chose to do so; but, for the first time, perhaps, a woman recoiled before a secret. Human life is sadly fertile in situations where, as a result of either too much meditation or of some catastrophe, our thoughts seem to hold to nothing; they have no substance, no point of departure, and the present has no hooks by which to hold to the past or fasten on the future. This was Mademoiselle de Verneuil's condition at the present moment. Leaning back in the carriage, she sat there like an uprooted shrub. Silent and suffering, she looked at no one, wrapped herself in her grief, and buried herself so completely in the unseen world, the refuge of the miserable, that she saw nothing around her. Crows crossed the road in the air above them cawing, but although, like all strong hearts, hers had a superst.i.tious corner, she paid no attention to the omen. The party travelled on in silence. "Already parted?" Mademoiselle de Verneuil was saying to herself. "Yet no one about us has uttered one word. Could it be Corentin? It is not his interest to speak. Who can have come to this spot and accused me? Just loved, and already abandoned! I sow attraction, and I reap contempt. Is it my perpetual fate to see happiness and ever lose it?" Pangs. .h.i.therto unknown to her wrung her heart, for she now loved truly and for the first time. Yet she had not so wholly delivered herself to her lover that she could not take refuge from her pain in the natural pride and dignity of a young and beautiful woman. The secret of her love-a secret often kept by women under torture itself-had not escaped her lips. Presently she rose from her reclining att.i.tude, ashamed that she had shown her pa.s.sion by her silent sufferings; she shook her head with a light-hearted action, and showed a face, or rather a mask, that was gay and smiling, then she raised her voice to disguise the quiver of it.
"Where are we?" she said to Captain Merle, who kept himself at a certain distance from the carriage.
"About six miles from Fougeres, mademoiselle."
"We shall soon be there, shall we not?" she went on, to encourage a conversation in which she might show some preference for the young captain.
"A Breton mile," said Merle much delighted, "has the disadvantage of never ending; when you are at the top of one hill you see a valley and another hill. When you reach the summit of the slope we are now ascending you will see the plateau of Mont Pelerine in the distance. Let us hope the Chouans won't take their revenge there. Now, in going up hill and going down hill one doesn't make much headway. From La Pelerine you will still see-"
The young emigre made a movement at the name which Marie alone noticed.
"What is La Pelerine?" she asked hastily, interrupting the captain's description of Breton topography.
"It is the summit of a mountain," said Merle, "which gives its name to the Maine valley through which we shall presently pa.s.s. It separates this valley from that of Couesnon, at the end of which is the town of Fougeres, the chief town in Brittany. We had a fight there last Vendemiaire with the Gars and his brigands. We were escorting Breton conscripts, who meant to kill us sooner than leave their own land; but Hulot is a rough Christian, and he gave them-"
"Did you see the Gars?" she asked. "What sort of man is he?"
Her keen, malicious eyes never left the so-called vicomte's face.
"Well, mademoiselle," replied Merle, nettled at being always interrupted, "he is so like citizen du Gua, that if your friend did not wear the uniform of the Ecole Polytechnique I could swear it was he."
Mademoiselle de Verneuil looked fixedly at the cold, impa.s.sible young man who had scorned her, but she saw nothing in him that betrayed the slightest feeling of alarm. She warned him by a bitter smile that she had now discovered the secret so treacherously kept; then in a jesting voice, her nostrils dilating with pleasure, and her head so turned that she could watch the young man and yet see Merle, she said to the Republican: "That new leader gives a great deal of anxiety to the First Consul. He is very daring, they say; but he has the weakness of rushing headlong into adventures, especially with women."
"We are counting on that to get even with him," said the captain. "If we catch him for only an hour we shall put a bullet in his head. He'll do the same to us if he meets us, so par pari-"
"Oh!" said the emigre, "we have nothing to fear. Your soldiers cannot go as far as La Pelerine, they are tired, and, if you consent, we can all rest a short distance from here. My mother stops at La Vivetiere, the road to which turns off a few rods farther on. These ladies might like to stop there too; they must be tired with their long drive from Alencon without resting; and as mademoiselle," he added, with forced politeness, "has had the generosity to give safety as well as pleasure to our journey, perhaps she will deign to accept a supper from my mother; and I think, captain," he added, addressing Merle, "the times are not so bad but what we can find a barrel of cider for your men. The Gars can't have taken all, at least my mother thinks not-"
"Your mother?" said Mademoiselle de Verneuil, interrupting him in a tone of irony, and making no reply to his invitation.
"Does my age seem more improbable to you this evening, mademoiselle?" said Madame du Gua. "Unfortunately I was married very young, and my son was born when I was fifteen."
"Are you not mistaken, madame?-when you were thirty, perhaps."
Madame du Gua turned livid as she swallowed the sarcasm. She would have liked to revenge herself on the spot, but was forced to smile, for she was determined at any cost, even that of insult, to discover the nature of the feelings that actuated the young girl; she therefore pretended not to have understood her.
"The Chouans have never had a more cruel leader than the Gars, if we are to believe the stories about him," she said, addressing herself vaguely to both Francine and her mistress.
"Oh, as for cruel, I don't believe that," said Mademoiselle de Verneuil; "he knows how to lie, but he seems rather credulous himself. The leader of a party ought not to be the plaything of others."
"Do you know him?" asked the emigre, quietly.
"No," she replied, with a disdainful glance, "but I thought I did."
"Oh, mademoiselle, he's a malin, yes a malin," said Captain Merle, shaking his head and giving with an expressive gesture the peculiar meaning to the word which it had in those days but has since lost. "Those old families do sometimes send out vigorous shoots. He has just returned from a country where, they say, the ci-devants didn't find life too easy, and men ripen like medlars in the straw. If that fellow is really clever he can lead us a pretty dance. He has already formed companies of light infantry who oppose our troops and neutralize the efforts of the government. If we burn a royalist village he burns two of ours. He can hold an immense tract of country and force us to spread out our men at the very moment when we want them on one spot. Oh, he knows what he is about."
"He is cutting his country's throat," said Gerard in a loud voice, interrupting the captain.
"Then," said the emigre, "if his death would deliver the nation, why don't you catch him and shoot him?"
As he spoke he tried to look into the depths of Mademoiselle de Verneuil's soul, and one of those voiceless scenes the dramatic vividness and fleeting sagacity of which cannot be reproduced in language pa.s.sed between them in a flash. Danger is always interesting. The worst criminal threatened with death excites pity. Though Mademoiselle de Verneuil was now certain that the lover who had cast her off was this very leader of the Chouans, she was not ready to verify her suspicions by giving him up; she had quite another curiosity to satisfy. She preferred to doubt or to believe as her pa.s.sion led her, and she now began deliberately to play with peril. Her eyes, full of scornful meaning, bade the young chief notice the soldiers of the escort; by thus presenting to his mind triumphantly an image of his danger she made him feel that his life depended on a word from her, and her lips seemed to quiver on the verge of p.r.o.nouncing it. Like an American Indian, she watched every muscle of the face of her enemy, tied, as it were, to the stake, while she brandished her tomahawk gracefully, enjoying a revenge that was still innocent, and torturing like a mistress who still loves.
"If I had a son like yours, madame," she said to Madame du Gua, who was visibly frightened, "I should wear mourning from the day when I had yielded him to danger; I should know no peace of mind."
No answer was made to this speech. She turned her head repeatedly to the escort and then suddenly to Madame du Gua, without detecting the slightest secret signal between the lady and the Gars which might have confirmed her suspicions on the nature of their intimacy, which she longed to doubt. The young chief calmly smiled, and bore without flinching the scrutiny she forced him to undergo; his att.i.tude and the expression of his face were those of a man indifferent to danger; he even seemed to say at times: "This is your chance to avenge your wounded vanity-take it! I have no desire to lessen my contempt for you."
Mademoiselle de Verneuil began to study the young man from the vantage-ground of her position with coolness and dignity; at the bottom of her heart she admired his courage and tranquillity. Happy in discovering that the man she loved bore an ancient t.i.tle (the distinctions of which please every woman), she also found pleasure in meeting him in their present situation, where, as champion of a cause enn.o.bled by misfortune, he was fighting with all the faculties of a strong soul against a Republic that was constantly victorious. She rejoiced to see him brought face to face with danger, and still displaying the courage and bravery so powerful on a woman's heart; again and again she put him to the test, obeying perhaps the instinct which induces a woman to play with her victim as a cat plays with a mouse.
"By virtue of what law do you put the Chouans to death?" she said to Merle.
"That of the 14th of last Fructidor, which outlaws the insurgent departments and proclaims martial law," replied the Republican.
"May I ask why I have the honor to attract your eyes?" she said presently to the young chief, who was attentively watching her.
"Because of a feeling which a man of honor cannot express to any woman, no matter who she is," replied the Marquis de Montauran, in a low voice, bending down to her. "We live in times," he said aloud, "when women do the work of the executioner and wield the axe with even better effect."
She looked at de Montauran fixedly; then, delighted to be attacked by the man whose life she held in her hands, she said in a low voice, smiling softly: "Your head is a very poor one; the executioner does not want it; I shall keep it myself."
The marquis looked at the inexplicable girl, whose love had overcome all, even insult, and who now avenged herself by forgiving that which women are said never to forgive. His eyes grew less stern, less cold; a look of sadness came upon his face. His love was stronger than he suspected. Mademoiselle de Verneuil, satisfied with these faint signs of a desired reconciliation, glanced at him tenderly, with a smile that was like a kiss; then she leaned back once more in the carriage, determined not to risk the future of this happy drama, believing she had a.s.sured it with her smile. She was so beautiful! She knew so well how to conquer all obstacles to love! She was so accustomed to take all risks and push on at all hazards! She loved the unexpected, and the tumults of life-why should she fear?
Before long the carriage, under the young chief's directions, left the highway and took a road cut between banks planted with apple-trees, more like a ditch than a roadway, which led to La Vivetiere. The carriage now advanced rapidly, leaving the escort to follow slowly towards the manor-house, the gray roofs of which appeared and disappeared among the trees. Some of the men lingered on the way to knock the stiff clay of the road-bed from their shoes.
"This is devilishly like the road to Paradise," remarked Beau-Pied.
Thanks to the impatience of the postilion, Mademoiselle de Verneuil soon saw the chateau of La Vivetiere. This house, standing at the end of a sort of promontory, was protected and surrounded by two deep lakelets, and could be reached only by a narrow causeway. That part of the little peninsula on which the house and gardens were placed was still further protected by a moat filled with water from the two lakes which it connected. The house really stood on an island that was well-nigh impregnable,-an invaluable retreat for a chieftain, who could be surprised there only by treachery.
Mademoiselle de Verneuil put her head out of the carriage as she heard the rusty hinges of the great gates open to give entrance to an arched portal which had been much injured during the late war. The gloomy colors of the scene which met her eyes almost extinguished the thoughts of love and coquetry in which she had been indulging. The carriage entered a large courtyard that was nearly square, bordered on each side by the steep banks of the lakelets. Those sterile sh.o.r.es, washed by water, which was covered with large green patches, had no other ornament than aquatic trees devoid of foliage, the twisted trunks and h.o.a.ry heads of which, rising from the reeds and rushes, gave them a certain grotesque likeness to gigantic marmosets. These ugly growths seemed to waken and talk to each other when the frogs deserted them with much croaking, and the water-fowl, startled by the sound of the wheels, flew low upon the surface of the pools. The courtyard, full of rank and seeded gra.s.ses, reeds, and shrubs, either dwarf or parasite, excluded all impression of order or of splendor. The house appeared to have been long abandoned. The roof seemed to bend beneath the weight of the various vegetations which grew upon it. The walls, though built of the smooth, slaty stone which abounds in that region, showed many rifts and c.h.i.n.ks where ivy had fastened its rootlets. Two main buildings, joined at the angle by a tall tower which faced the lake, formed the whole of the chateau, the doors and swinging, rotten shutters, rusty bal.u.s.trades, and broken windows of which seemed ready to fall at the first tempest. The north wind whistled through these ruins, to which the moon, with her indefinite light, gave the character and outline of a great spectre. But the colors of those gray-blue granites, mingling with the black and tawny schists, must have been seen in order to understand how vividly a spectral image was suggested by the empty and gloomy carca.s.s of the building. Its disjointed stones and paneless windows, the battered tower and broken roofs gave it the aspect of a skeleton; the birds of prey which flew from it, shrieking, added another feature to this vague resemblance. A few tall pine-trees standing behind the house waved their dark foliage above the roof, and several yews cut into formal shapes at the angles of the building, festooned it gloomily like the ornaments on a hea.r.s.e. The style of the doors, the coa.r.s.eness of the decorations, the want of harmony in the architecture, were all characteristic of the feudal manors of which Brittany was proud; perhaps justly proud, for they maintained upon that Gaelic ground a species of monumental history of the nebulous period which preceded the establishment of the French monarchy.
Mademoiselle de Verneuil, to whose imagination the word "chateau" brought none but its conventional ideas, was affected by the funereal aspect of the scene. She sprang from the carriage and stood apart gazing at in terror, and debating within herself what action she ought to take. Francine heard Madame du Gua give a sigh of relief as she felt herself in safety beyond reach of the Blues; an exclamation escaped her when the gates were closed, and she saw the carriage and its occupants within the walls of this natural fortress.
The Marquis de Montauran turned hastily to Mademoiselle de Verneuil, divining the thoughts that crowded in her mind.
"This chateau," he said, rather sadly, "was ruined by the war, just as my plans for our happiness have been ruined by you."
"How ruined?" she asked in surprise.
"Are you indeed 'beautiful, brilliant, and of n.o.ble birth'?" he asked ironically, repeating the words she had herself used in their former conversation.
"Who has told you to the contrary?"