The Mysteries Of Paris Volume I Part 1
The Mysteries of Paris.
Volume 1.
by Eugene Sue.
CHAPTER I.
THE TAPIS-FRANC.[1]
It was on a cold and rainy night, towards the end of October, 1838, that a tall and powerful man, with an old broad-brimmed straw hat upon his head, and clad in a blue cotton carter's frock, which hung loosely over trousers of the same material, crossed the Pont au Change, and darted with a hasty step into the Cite, that labyrinth of obscure, narrow, and winding streets which extends from the Palais de Justice to Notre Dame.
[1] _Tapis-franc_: literally, a "free carpet;" a low haunt equivalent to what in English slang is termed "a boozing ken."
Although limited in s.p.a.ce, and carefully watched, this quarter serves as the lurking-place, or rendezvous, of a vast number of the very dregs of society in Paris, who flock to the _tapis-franc_. This word, in the slang of theft and murder, signifies a drinking-shop of the lowest cla.s.s. A returned convict, who, in this foul phraseology, is called an "ogre," or a woman in the same degraded state, who is termed an "ogress," generally keep such "cribs," frequented by the refuse of the Parisian population; freed felons, thieves, and a.s.sa.s.sins are there familiar guests. If a crime is committed, it is here, in this filthy sewer, that the police throws its cast-net, and rarely fails to catch the criminals it seeks to take.
On the night in question, the wind howled fiercely in the dark and dirty gullies of the Cite; the blinking and uncertain light of the lamps which swung to and fro in the sudden gusts were dimly reflected in pools of black slush, which flowed abundantly in the midst of the filthy pavement.
The murky-coloured houses, which were lighted within by a few panes of gla.s.s in the worm-eaten cas.e.m.e.nts, overhung each other so closely that the eaves of each almost touched its opposite neighbour, so narrow were the streets. Dark and noisome alleys led to staircases still more black and foul, and so perpendicular that they could hardly be ascended by the help of a cord fixed to the dank and humid walls by holdfasts of iron.
Stalls of charcoal-sellers, fruit-sellers, or venders of refuse meat occupied the ground floor of some of these wretched abodes.
Notwithstanding the small value of their commodities, the fronts of nearly all these shops were protected by strong bars of iron,--a proof that the shopkeepers knew and dreaded the gentry who infested the vicinity.
The man of whom we have spoken, having entered the Rue aux Feves, which is in the centre of the Cite, slackened his pace: he felt he was on his own soil. The night was dark, and strong gusts of wind, mingled with rain, dashed against the walls. Ten o'clock struck by the distant dial of the Palais de Justice. Women were huddled together under the vaulted arches, deep and dark, like caverns; some hummed popular airs in a low key; others conversed together in whispers; whilst some, dumb and motionless, looked on mechanically at the wet, which fell and flowed in torrents. The man in the carter's frock, stopping suddenly before one of these creatures, silent and sad as she gazed, seized her by the arm, and said, "Ha! good evening, La Goualeuse."[2]
[2] Sweet-throated: in reference to the tone of her voice.
The girl receded, saying, in a faint and fearful tone, "Good evening, Chourineur.[3] Don't hurt me."
[3] One who strikes with the knife; the stabber, or slasher.
This man, a liberated convict, had been so named at the hulks.
"Now I have you," said the fellow; "you must pay me the gla.s.s of 'tape'
(_eau d'aff_), or I'll make you dance without music," he added, with a hoa.r.s.e and brutal laugh.
"Oh, Heaven! I have no money," replied Goualeuse, trembling from head to foot, for this man was the dread of the district.
"If you're stumped, the ogress of the _tapis-franc_ will give you tick for your pretty face."
"She won't; I already owe her for the clothes I'm wearing."
"What, you want to shirk it?" shouted the Chourineur, darting after La Goualeuse, who had hid herself in a gully as murk as midnight.
"Now, then, my lady, I've got you!" said the vagabond, after groping about for a few moments, and grasping in one of his coa.r.s.e and powerful hands a slim and delicate wrist; "and now for the dance I promised you."
"No, it is _you_ who shall dance!" was uttered by a masculine and deep voice.
"A man! Is't you, Bras Rouge? Speak, why don't you? and don't squeeze so hard. I am here in the entrance to your 'ken,' and you it must be."
"'Tis not Bras Rouge!" said the voice.
"Oh! isn't it? Well, then, if it is not a friend, why, here goes at you," exclaimed the Chourineur. "But whose bit of a hand is it I have got hold of? It must be a woman's!"
"It is the fellow to this," responded the voice.
And under the delicate skin of this hand, which grasped his throat with sudden ferocity, the Chourineur felt himself held by nerves of iron.
The Goualeuse, who had sought refuge in this alley, and lightly ascended a few steps, paused for an instant, and said to her unknown defender, "Thanks, sir, for having taken my part. The Chourineur said he would strike me because I could not pay for his gla.s.s of brandy; but I think he only jested. Now I am safe, pray let him go. Take care of yourself, for he is the Chourineur."
"If he be the Chourineur, I am a bully boy who never knuckles down,"
exclaimed the unknown.
All was then silent for a moment, and then were heard for several seconds, in the midst of the pitchy darkness, sounds of a fierce struggle.
"Who the devil is this?" then said the ruffian, making a desperate effort to free himself from his adversary, whose extraordinary power astonished him. "Now, then, now you shall pay both for La Goualeuse and yourself!" he shouted, grinding his teeth.
"Pay! yes, I will pay you, but it shall be with my fists; and it shall be cash in full," replied the unknown.
"If," said the Chourineur, in a stifled voice, "you do but let go my neckcloth, I will bite your nose off."
"My nose is too small, my lad, and you haven't light enough to see it."
"Come under the 'hanging glim'[4] there."
[4] Under the lamp, called _reverbere_.
"That I will," replied the unknown, "for then we may look into the whites of each other's eyes."
He then made a desperate rush at the Chourineur, whom he still held by the throat, and forced him to the end of the alley, and then thrust him violently into the street, which was but dimly lighted by the suspended street-lamp. The bandit stumbled; but, rapidly recovering his feet, he threw himself furiously upon the unknown, whose slim and graceful form appeared to belie the possession of the irresistible strength he had displayed. After a struggle of a few minutes, the Chourineur, although of athletic build, and a first-rate champion in a species of pugilism vulgarly termed the _savate_, found that he had got what they call his master. The unknown threw him twice with immense dexterity, by what is called, in wrestling, the leg-pa.s.s, or crook. Unwilling, however, to acknowledge the superiority of his adversary, the Chourineur, boiling with rage, returned again to the charge. Then the defender of La Goualeuse, suddenly altering his mode of attack, rained on the head and face of the bandit a shower of blows with his closed fist, as hard and heavy as if stricken by a steel gauntlet. These blows, worthy of the admiration of Jem Belcher, Dutch Sam, Tom Cribb, or any other celebrated English pugilist, were so entirely different from the system of the _savate_, that the Chourineur dropped like an ox on the pavement, exclaiming, as he fell, "I'm floored!" (_Mon linge est lave!_)
"_Mon Dieu! Mon Dieu!_ Have pity on him!" exclaimed La Goualeuse, who, during the contest, had ventured on the threshold of the alley, adding, with an air of astonishment, "But who are you, then? Except the Schoolmaster and Skeleton, there is no one, from the Rue Saint Eloi to Notre Dame, who can stand against the Chourineur. I thank you very, very much, sir, for, indeed, I fear that, without your aid, he would have beaten me."
The unknown, instead of replying, listened with much attention to the voice of this girl. Perhaps a tone more gentle, sweet, and silvery never fell on human ear. He endeavoured to examine the features of La Goualeuse; but the night was too dark, and the beams of the street-lamp too flickering and feeble. After remaining for some minutes quite motionless, the Chourineur shook his legs and arms, and then partly rose from the ground.
"Pray be on your guard!" exclaimed the Goualeuse, retreating again into the dark pa.s.sage, and taking her champion by the arm; "take care, or he will have his revenge on you."
"Don't be frightened, my child; if he has not had enough, I have more ready for him."
The brigand heard these words.
"Thanks," he murmured; "I'm half throttled, and one eye is closed,--that is quite enough for one day. Some other time, perhaps, when we may meet again--"
"What! not content yet,--grumbling still?" said the unknown, with a menacing tone.
"No, no,--not at all; I do not grumble in the least. You have regularly served me out,--you are a lad of mettle," said the Chourineur, in a coa.r.s.e tone, but still with that sort of deference which physical superiority always finds in persons of his grade. "You are the better man, that's clear. Well, except the Skeleton, who seems to have bones of iron, he is so thin and powerful, and the Schoolmaster, who could eat three Herculeses for his breakfast, no man living could boast of having put his foot on my neck."
"Well, and what then?"