The Complete Poetical Works of Samuel Taylor Coleridge Volume I Part 16

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The Complete Poetical Works of Samuel Taylor Coleridge



The Complete Poetical Works of Samuel Taylor Coleridge Volume I Part 16


FOOTNOTES:

[38:1] First published in 1796: included in 1803, 1828, 1829, and 1834.

The following note was attached in 1796 and 1803:--The flower hangs its [heavy] head waving at times to the gale. 'Why dost thou awake me, O Gale?' it seems to say, 'I am covered with the drops of Heaven. The time of my fading is near, the blast that shall scatter my leaves. Tomorrow shall the traveller come; he that saw me in my beauty shall come. His eyes will search the field, [but] they will not find me. So shall they search in vain for the voice of Cona, after it has failed in the field.'--Berrathon, see Ossian's _Poems_, vol. ii. [ed. 1819, p. 481].

LINENOTES:

t.i.tle] Ode MS. E.

[10] That erst, &c. MS. E.

[15] faithful] lovely MS. E.

[16] simplest] gentle MS. E.

THE COMPLAINT OF NINATHoMA[39:1]

FROM THE SAME

How long will ye round me be swelling, O ye blue-tumbling waves of the sea?

Not always in caves was my dwelling, Nor beneath the cold blast of the tree.

Through the high-sounding halls of Cathloma 5 In the steps of my beauty I strayed; The warriors beheld Ninathoma, And they blessed the white-bosom'd Maid!

A Ghost! by my cavern it darted!

In moon-beams the Spirit was drest-- 10 For lovely appear the Departed When they visit the dreams of my rest!

But disturb'd by the tempest's commotion Fleet the shadowy forms of delight-- Ah cease, thou shrill blast of the Ocean! 15 To howl through my cavern by night.

1793.

FOOTNOTES:

[39:1] First published in 1796: included in 1803, 1828, 1829, and 1834.

These lines were included in a letter from Coleridge to Mary Evans, dated Feb. 7, 1793. In 1796 and 1803 the following note was attached:--'How long will ye roll around me, blue-tumbling waters of Ocean. My dwelling is not always in caves; nor beneath the whistling tree. My [The] feast is spread in Torthoma's Hall. [My father delighted in my voice.] The youths beheld me in [the steps of] my loveliness. They blessed the dark-haired Nina-thoma.'--Berrathon [Ossian's _Poems_, 1819, ii. 484].

LINENOTES:

t.i.tle] Effusion x.x.x. The Complaint, &c., 1796.

[5] halls] Hall Letter, 1793.

[8] white-bosom'd] dark-tressed Letter, 1793.

[Between 8-9]

By my friends, by my Lovers discarded, Like the flower of the Rock now I waste, That lifts her fair head unregarded, And scatters its leaves on the blast.

Letter, 1793.

[13] disturb'd] dispers'd Letter, 1793.

SONGS OF THE PIXIES[40:1]

The Pixies, in the superst.i.tion of Devonshire, are a race of beings invisibly small, and harmless or friendly to man. At a small distance from a village in that county, half-way up a wood-covered hill, is an excavation called the Pixies' Parlour. The roots of old trees form its ceiling; and on its sides are innumerable cyphers, among which the author discovered his own cypher and those of his brothers, cut by the hand of their childhood. At the foot of the hill flows the river Otter.

To this place the Author, during the summer months of the year 1793, conducted a party of young ladies; one of whom, of stature elegantly small, and of complexion colourless yet clear, was proclaimed the Faery Queen. On which occasion the following Irregular Ode was written.

I

Whom the untaught Shepherds call Pixies in their madrigal, Fancy's children, here we dwell: Welcome, Ladies! to our cell.

Here the wren of softest note 5 Builds its nest and warbles well; Here the blackbird strains his throat; Welcome, Ladies! to our cell.

II

When fades the moon to shadowy-pale, And scuds the cloud before the gale, 10 Ere the Morn all gem-bedight Hath streak'd the East with rosy light, We sip the furze-flower's fragrant dews Clad in robes of rainbow hues; Or sport amid the shooting gleams 15 To the tune of distant-tinkling teams, While l.u.s.ty Labour scouting sorrow Bids the Dame a glad good-morrow, Who jogs the accustom'd road along, And paces cheery to her cheering song. 20

III

But not our filmy pinion We scorch amid the blaze of day, When Noontide's fiery-tressed minion Flashes the fervid ray.

Aye from the sultry heat 25 We to the cave retreat O'ercanopied by huge roots intertwin'd With wildest texture, blacken'd o'er with age: Round them their mantle green the ivies bind, Beneath whose foliage pale 30 Fann'd by the unfrequent gale We shield us from the Tyrant's mid-day rage.

IV

Thither, while the murmuring throng Of wild-bees hum their drowsy song, By Indolence and Fancy brought, 35 A youthful Bard, 'unknown to Fame,'

Wooes the Queen of Solemn Thought, And heaves the gentle misery of a sigh Gazing with tearful eye, As round our sandy grot appear 40 Many a rudely-sculptur'd name To pensive Memory dear!

Weaving gay dreams of sunny-tinctur'd hue, We glance before his view: O'er his hush'd soul our soothing witcheries shed 45 And twine the future garland round his head.

V

When Evening's dusky car Crown'd with her dewy star Steals o'er the fading sky in shadowy flight; On leaves of aspen trees 50 We tremble to the breeze Veil'd from the grosser ken of mortal sight.

Or, haply, at the visionary hour, Along our wildly-bower'd sequester'd walk, We listen to the enamour'd rustic's talk; 55 Heave with the heavings of the maiden's breast, Where young-eyed Loves have hid their turtle nest; Or guide of soul-subduing power The glance that from the half-confessing eye Darts the fond question or the soft reply. 60

VI

Or through the mystic ringlets of the vale We flash our faery feet in gamesome prank; Or, silent-sandal'd, pay our defter court, Circling the Spirit of the Western Gale, Where wearied with his flower-caressing sport, 65 Supine he slumbers on a violet bank; Then with quaint music hymn the parting gleam By lonely Otter's sleep-persuading stream; Or where his wave with loud unquiet song Dash'd o'er the rocky channel froths along; 70 Or where, his silver waters smooth'd to rest, The tall tree's shadow sleeps upon his breast.

VII

Hence thou lingerer, Light!






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