A Guide to Peterborough Cathedral Part 5
"Thus, in a short time, a fair and goodly structure was quite stript of all its ornamental beauty, and made a ruthful spectacle, a very chaos of desolation and confusion, nothing scarce remaining but only bare walls, broken seats, and shatter'd windows on every side.
"And in the time of this publick confusion, two other things hapned not unworthy of relating: the one for the strangeness, the other for the sadness of the accident. The first was this, when now the church lay open to all comers, without locks and bars, and none to look after them, those specially that lead up to the leads above; two young children not above five years old, had got up the steeple by themselves, and having lost their way down, come to the place where the great bells hang. Here there was a large round s.p.a.ce left purposely in the arch, when first built, for the drawing up bells or any other things, as there should be occasion. This place used to be safely closed before, but now it lay wide open, and was between thirty and forty yards off from the ground. The two children, coming hither and finding this pa.s.sage, one, out of his childish simplicity, was for jumping down: No, (saies the other) let us rather swarm down, there being a bell rope then hanging down through that place to the clockhouse below. Now, this last they did, and a gentleman walking there beneath at that time, sees two children come with that swiftness down the rope, like arrows from a bow, who were both taken up for dead, on the place. This hapned on a Sunday ith' afternoon, in sermon time.
The news coming into the parish church, that two children falling off from the minster were slain, the congregation were exceedingly disorder'd, so that the preacher could not go on for a time, every parent fearing it might be their own childrens case; till at length they understood the truth and certainty of all. For it pleased G.o.d by a strange and wonderful providence to preserve both these children, having no hurt but only their hands galled by the rope, and their feet a little stunted by the fall from the clock-house, where they were thrown off, the rope being fastened there, and this some four or five yards high. The persons, I suppose, are both living still; and one of them, (whose father was then one of the chief tradesmen of the town) since a grave minister, and rector of a parish in Northamptonshire.
"The other thing that hapned of more fatal consequences was this:--it being that time of the year when young lads are busie in rifling jackdaws nests to get their young, a scholar of the free-school, a son to a parliament officer, was got upon the top of the minster about this employment; who going along the cieling in the body of the church, and treading unwarily on some rotten boards, fell down from thence, upon the loft where the organ now stands, having his pockets filled with those inauspicious birds, and with the fall from so great a height, was slain outright and never stirred more.
"These two things hapned much about the same time, and in the time of that publick confusion and disorder. But to proceed in our intended narrative. These things I have related before were indeed the acts of private persons only, men of wild intemperate zeal, and who had no commission for what they did, but what was owing to the swords by their sides. Yet notwithstanding all these things seemed afterwards to be own'd and approved by the powers then in being, when they sold all the churches lands, and many fair buildings adjoyning to the minster, were likewise pulled down and sold by publick order and authority, such were the cloysters, the old chapter-house, the library, the bishops hall and chapel at the end of it: the hall was as fair a room as most in England; and another call'd the green chamber, not much inferior to it.
These all were then pull'd down and destroyed; and the materials, lead, timber, and stone exposed to sale, for any that would buy them. But some of the bargains proved not very prosperous; the lead especially that came off the palace, was as fatal as the gold of Tholouse; for to my knowledge, the merchant that bought it, lost it all, and the ship which carried it, in her voyage to Holland.
"And thus the church continued ruined and desolate, and without all divine offices for a time; till at length by the favour of a great person in the neighbourhood, it was repaired and restored to some degrees of decency again; and out of the ashes of a late cathedral, grew up into a new parochial church, in which way it was employ'd and used ever after, untill the kings happy restauration. For Mr. Oliver St. John, chief justice then of the common pleas, being sent on an emba.s.sy into Holland by the powers that governed then, requested this boon of them at his return, that they would give him the ruin'd church or minster at Peterburgh; this they did accordingly, and he gave it to the town of Peterburgh for their use, to be employ'd as a parochial church, their own parish church being then very ruinous and gone to decay.
"Now the town considering the largeness of the building, and the greatness of the charge to repair it, which of themselves they were not able to defray, they all agree to pull down the ladies chapel as it was then called, an additional building to the north side of the minster, (being then ruinous and ready to fall) and to expose the materials thereof, lead, timber, and stone to sale, and to convert the mony that was made of them, towards the repairs of the great fabrick.
"All this they did, and appointed certain persons to oversee the work, and expended several summs thus in repairs, mending the leads, securing the roof, glazing several windows, and then fitting up the quire, and making it pretty decent for the congregation to meet in. And this they did, by taking the painted boards that came off from the roof of the ladies chapel, and placing them all along at the back of the quire, in such manner as they continue to this day.
"When the place was thus fitted up, and the devastations which the souldiers had made in some measure repaired, one Mr. Samuel Wilson, school master of the charter-house, in London, was sent down by the committee of plundred ministers, as they were then called, to be preacher, with a sallary of 160_l._ per an. in which employment he continued untill the kings return. Then Dr. Cofin, the antient dean of the church, after almost twenty years exile in France, return'd and re-a.s.sumed his right again, in the year 1660, about the end of July. He then after so long an interval renew'd the antient usage, and read divine service first himself, and caused it to be read every day afterward, according to the laudable use and custome, and settled the church and quire in that order wherein it now continues.
"But though the church was thus delivered from public robbers and spoilers, yet it was not safe from the injuries of private hands. For some ten or twelve years after, certain thieves in the dead of the night, broke into the church and stole away all the plate they could find, viz.: a fair silver bason gilt, and the virgers two silver rods, and a linnen table-cloth to wrap them in, which were never heard of to this day. This was the same bason that had been plunder'd by the souldiers, and recovered again, but irrecoverably lost now. Yet both these losses were soon repaired, one by Dr. Henshaw, bishop then of the place, who gave a fair new silver basin gilt; the other made up by Dr.
Duport, then dean, who furnisht the virgers again with the ensigns of their office, by buying two new silver maces for the churches use.
"And thus is this history brought down at length within our own knowledge and remembrance; where we have seen what various fortunes this antient church has had, which now reckons at least one thousand years from its first foundation. It has been often ruinated, and as often re-edified. Once it was destroyed by Danes; twice consumed by fire; it escaped the general downfal of abbies, in Hen. the Eighth's time, though not without the loss of some of her fairest manners; and yet what that king took away in revenues, he added to it in dignity, by converting it from an abbey into a cathedral church. But the worst mischief that ever befel it, was that in the late rebellious times, when the church itself was miserably defaced and spoiled; and all the lands for the maintenance thereof, quite alienated and sold. And yet through G.o.ds especial goodness and favour, we have lived to see the one repaired, the others restored, and the church itself recovering her antient beauty and l.u.s.tre again. And that it may thus long continue, flourish and prosper, and be a nursery for vertue, a seminary for true religion and piety, a constant preserver of G.o.ds publick worship and service, and free from all sacrilegious hands, is the earnest and hearty prayer wherewith I shall conclude this discourse."
[17] Sir William Fitzwilliam, of Milton, to whom the castle then belonged, used to pay visits to the queen of Scots during her confinement, and his n.o.ble and gentlemanly conduct, secured the good esteem of Mary. At a later period, a little before the queen was executed, she presented him with a picture of her son, as a testimony of the value which she set upon his friendship. This picture is now in the possession of the Fitzwilliam family.
[18] The original letter, in the king's own hand-writing, is still in the possession of the Dean and Chapter of Peterborough, and has recently been placed in a frame by the entrance from the south aisle. The following is a copy:--"JAMES R. Trusty and wel-beloved, wee greet you well, for that wee remember it appertaynes to ye duty wee owe to our dearest mother that like honour should be done to hir body and like monument be extant of hir as to others, hirs and our progenitors have bene used to be done, and ourselves have already performed to our deare sister ye late Queen Elizabeth. Wee have commanded a Memoriall of hir to be made in our church of Westminster, ye place where ye Kings and Queens of this realme are usually interred. And for that wee thinke it inconvenient that ye monument and hir body should be in severall places, we have ordered that hir said body remayning now interred in that our Cathedrall Church of Peterborough shalbe removed to Westminster to hir said monument; and have committed ye care and chardg of ye said translation of hir body from Peterborough to Westminster to ye reverend father in G.o.d our right trusty and wel beloved servant ye Bishop of Coventry and Lichfield, bearer hereof, to whom wee require you (or to such as ye shall a.s.signe) to deliver ye corps of our said deceased mother, ye same being taken up in a decent and respectfull manner as is fitting. And for that there is a pall now upon ye hea.r.s.e over hir grave which wilbe requisite to be used to cover hir said body in ye removing thereof, which may perhapps be deemed as a ffee that should belong to ye church. We have appointed ye said reverend father to pay you a reasonable redemption for ye same, which being done by him wee require you that he may have ye pall to be used for ye purpose aforesaid. Given under our signet at our Honor of Hampton Court ye eight and twentieth day of September in ye tenth yeare of our reigne of England, France and Ireland, and of Scotland ye six and fortieth. To our trusty and welbeloved ye Dean and Chapter of our Cathedrall Church of Peterborough, and in theire absence to ye right reverend father in G.o.d ye Bishop of Peterborough and to such of ye Prebends or other officers of that church as shalbe found being there."
[19] This ancient record is said to have been written about the year 1217, by a monk named Hugh Candidus. It is a MS. account of the History of the Abbey from its foundation. Dean Patrick gives the following account of its singular preservation:--"One book indeed, and but one, still remains, which was happily redeemed from the fire by the then precentor of the church, Mr. Humfrey Austin, who knowing the great value of it, first hid it, in February, 1642, under a seat in the quire: and when it was found by a soldier on the twenty-second of April, 1643 (when all the seats were pulled down), rescued it again by the offer of ten shillings, 'for that old latin bible' as he called it, and about which he pretended to enquire. The name of the bible by the help of the ten shillings, preserved this precious treasure from the flames, whither it was going, as Mr. Austin hath left a record in the beginning of the book; with a copy of the soldier's acknowledgement:--'_This booke was hide in the Church by me Humphrey Austin; February, 1642. And found by one of Coll.
Cromwelle souldyers when they pul'd down all the seats in the quire, April 22th, 1643. And I makeing inquirie amongst them for an old Latin Bible which were lost, I found out at last the partie who had it, and I gave him for the booke tenn shillings as you see by this acquittance.... The coppie of his acquittance:--I pray let this Scripture Book alone, for he hath paid me for it, and therefore I would desire you to let it alone. By me HENRY TOPCLIFFE, souldyer under Captain Cromwell, Colonel Cromwell's sonn; therefore I pray let it alone._--By me Henry Topcliffe.'"
This Ancient Ma.n.u.script book is now kept with other doc.u.ments in the Chapter house of the Cathedral.
[20] Dean Patrick, in his supplement to _Gunton's History of the Cathedral_, says it was famous for three things, "a stately front, a curious altar piece, and a beautiful cloister."
Mr. Davys, in his _Guide_, also says, "we learn, from other writings, that the stall-work, in its choir, was remarkably fine, that its windows of painted gla.s.s were of a most superb description, and that, in the number, and beauty of its monuments and bra.s.ses, it excelled most of the other churches of the realm.
Its central tower, though then in an incomplete state, was much finer than it now is, as it had a handsome octagon above what now forms the central tower. The north western transept tower was also adorned with a lofty spire. This spire, which was of wood covered with lead, was taken down soon after this time."
[21] "Wulfade was much addicted to hunting, and one day pursuing a goodly hart, which being hotly pursued, took soil in a fountain near unto the cell of St. Chad, who espying the hart weary, and almost spent, was so compa.s.sionate towards him that he covered him with boughs and leaves, conjecturing, as if heaven had some design in the access and deportment of that beast. Presently comes Prince Wulfade, and enquired of St. Chad concerning the hart, who answered, That he was not a keeper of beasts, but the souls of men, and that Wulfade was then, as an hart to the water brooks, sent by G.o.d to the fountain of living water: which Wulfade hearing with astonishment, entered into further conference with St. Chad in his cell, and was by him baptized: and returning with joy to his father's court, he secretly told his brother Rufine of all that had pa.s.sed, perswading him to be baptized also; to which Rufine consenting, Wulfade brought him to St. Chad, who likewise baptized this other brother."
[22] "This Christian pair of brothers did often resort to a private oratory, where they performed their devotions; but at length being discovered to their father by the steward Werbode, who instigated, and enflamed the fire of paternal fury against the sons, King Wolfere, the father, watching the time when his sons were gone to pray, followed them, and entering the oratory, slew both his sons with his own hand; and he, and Werbode demolishing the place, left the bodies of his sons buried in the rubbish." "Queen Ermenild, having searched for the bodies of her sons, found them out, and giving them burial, [in one stone coffin,] built in the same place where they were slain, a church of stone."
[23] Dean Kipling, on the authority of tradition, is of opinion, that St. Chad's well was in the quadrangle on the south side of the minster, called the laurel court; but Gunton says, "St. Chad had his cell in the county of Stafford, was the first bishop of Lichfield, where he founded the cathedral church, and there lieth buried." And this a.s.sertion would appear to be born out by the fact that the "church of stone" referred to in the previous note, is known to have been erected at _Stone_, in Staffordshire.
[24] The present painted windows are of modern date, excepting one or two, which are composed of fragments of the windows of the cloisters above described.
CHAPTER IV.
_Historical account of the building of the monastery, and description of the architectural peculiarities of the present cathedral._
Having in the preceding chapters given a brief history of the former monastery and present cathedral of Peterborough, up to the present time, it now remains for us to say something of its architectural peculiarities, and to notice some of the remarkable relicts of antiquity which are still to be found within its walls. It has already been stated, that in the year 655, the foundation for a monastic inst.i.tution was laid at _Medeshamstede_; that it was completed seven years afterwards;--and was destroyed by fire in 870. The architectural character of the building at this period cannot be strictly ascertained; but, from the accounts given of it by monkish writers, it is supposed to have been of the pure Saxon style. The monastery was again re-built in 966, and again destroyed by the lawless hands of barbarian invaders. Five successive times did it undergo various changes of ruin and desolation, until the year 1117, when a new building was raised upon the foundations of the old one, and many additions were made to it;--extending its circuit, and improving its architectural appearance.
The immense stones which were laid as the foundation of the minster of _Medeshamstede_, is a sufficient proof of the vastness and ma.s.sive strength of the building which was raised upon it;[25]--yet, as we have no definite information respecting the size of the monastery, we must leave it to be imagined by the reader, and proceed with the "new church," which was commenced in 1117, under the rule of John de Sais, and which we have already noticed in the first chapter of our history.
This John was a Norman by birth, and an admirer of the Norman style of architecture, which is discernable throughout the whole of this great building. That there is a mixture of style, however, in the monastery, is admitted on all hands;--nor could it well have been otherwise, if we take into consideration the different character of the ages in which additions were made to it. Still the leading features of the building clearly show that they are of Norman origin; and in this opinion we are supported by Mr. Britton, who says, "I cannot consent to discontinue this phrase, [viz. that the cathedral is a specimen of Norman architecture,] although it offends certain critics, who manifest more prejudice than discrimination in their reprobatory animadversion. That the Normans not only employed a peculiar style and character in the buildings of their own provence, and in England, after they possessed this country, is sufficiently proved by history, by the older edifices still remaining, and by the admission of the best informed antiquaries.
It seems to me therefore absurd, as well as false, to say there is no Norman architecture--that the term is misapplied,--that the Normans were incompetent either to invent a novelty in art, or improve upon any thing of their Saxon predecessors. The instance of the building before us, which is said by its monastic historians to have been raised between the years 1117 and 1250, is sufficient evidence to confute the reasoning, or rather dogmatic a.s.sertions, of those who wish to exalt the Saxons by depreciating the Normans: and we have a still stronger confutation of this theory in the style and general character of the Trinity chapel, Canterbury, the history of which is well authenticated and generally credited. That it is a novelty and great beauty in architecture can only be disputed by those who are blinded by prejudice, or influenced by obstinacy and bad taste."[26]
During the prelacy of Bishop Marsh, 1819-1839, great efforts were made to restore the cathedral to its original beauty, under the auspices of Dr. Monk, then Dean of Peterborough, and afterwards Bishop of Gloucester. "By him the n.o.ble west front, which he found in a very ruinous state, was perfectly restored from top to bottom; six-and-thirty windows were opened in various parts of the church, which were built up, and two Norman doors were brought to light, which had been hidden under mean depressed arches."
It may, perhaps, be desirable to describe the different portions of the building in the order in which they present themselves to the visitor, and in doing this, we shall avail ourselves of the excellent remarks made by the Rev. Owen Davys, son of bishop Davys, in his work on the cathedral, and also of the superior talent of a gentleman, formerly well known in this city, (the Rev. T. Garbett,) who has investigated, with great care, the whole plan of the building, and has laid the result of his researches before the public.
[Sidenote: Western Gateway.]
First, then, is the ancient western gateway, built by Benedict, and though it has since been much altered, a considerable part of the original structure remains: "The western side has been faced with Perpendicular work, and an arch of that character has been built in front of the original Norman arch, above which is a very elegant arcade, the alternate arches of which have small windows within them; these light the chamber over the gateway which occupies the situation of the chapel of St. Nicholas. The lower roof of this gateway is a good specimen of a plain Norman roof, being groined with bold cross ribs.
The arcades on the right and left hand, which have lately been very judiciously restored, are also worthy of notice; one of the arches in each arcade is considerably larger than the others, and forms a door-way. Above the arch, on the east side of this gateway, is a window which may strike the architect at first sight as being somewhat peculiar. It is in reality a part of an ancient Perpendicular shrine, which formerly existed in the cathedral, of which a portion is still standing in the northern part of the new building; it was brought there, and turned to its present use as a window, some time ago."
[Sidenote: Thomas a Becket's Chapel.]
On the left hand, as we pa.s.s through the gate, is the grammar school-room, formerly the chapel of Thomas a Becket, who was a.s.sa.s.sinated at Canterbury, and canonized by the catholics as a saint and a martyr. "The chancel of this building is of a very Late Decorated character, in fact so late as almost to come under the denomination of Transition from that style to Perpendicular; it has, on the south side, two windows, each of three lights, which appear, at first sight, to be Decorated, but, upon further examination, the architectural student will perceive, by a tendency to right lines in the tracery, that they are of Transition character, of which they form good examples. The east window of this chancel is a very good one, it is of five lights, and the tracery is very beautiful, though of a description not at all uncommon; in fact most of the Decorated windows in parish churches throughout Northamptonshire, which have any pretensions to size or beauty, have their tracery of this form, as, for instance, the east window of Higham Ferrers church, and many others. Above this window is an elegant pierced cross, probably of the same date as the window itself. The parapet of this chancel has nothing worthy of notice about it; it is like the rest of the building, of plain Late Decorated character."
[Sidenote: Palace Gateway.]
On the right of us, is the magnificent gateway which leads to the bishop's palace, over which is a chamber, called the knights' chamber.
"This gateway is of somewhat peculiar Early English character, having a fine groined roof, springing from very beautiful cl.u.s.tered shafts. A line of arches, each of which contain within them two smaller arches, continues along either side of the interior; which is entered on the north and south sides, through fine and lofty arches supported by cl.u.s.tered columns. The bases of all these columns, like those of many others about the remains of this abbey, are covered with soil which the lapse of years has caused to acc.u.mulate around them; this of course much diminishes the height of each shaft. This beautiful gateway is flanked at its angles by square turrets, each ornamented, as also is the apex of the gable, with a fine niche, which has within it a figure of an unusually large size. The niches on the south side, contain the figures of St. Peter, St. Paul, and St. Andrew; those on the north, contain the representations of King Edward II., Abbot G.o.dfrey de Croyland, and the Prior of the Abbey of that time, in full Benedictine costume.
[Sidenote: West Front.]
"The splendid front of the building is the most interesting and important of its members. This beautiful and original composition cannot fail to strike the mind of the beholder with awe and admiration; the first sight of it usually makes an impression on the memory which is not easily obliterated. It is indeed one of the finest specimens which the universe can produce, of the Pointed style of architecture.
As a west front, scarcely any in this kingdom can be brought into comparison with it for beauty of proportion, and elegance of design.
The west fronts of the cathedrals of Wells, York, and Lichfield have been mentioned as surpa.s.sing it in some respects; and in point of richness of detail, the two first may be perhaps considered as superior to it; but they all of them fall far short of Peterborough in the grandeur of their general effect.
"The outline of this front forms a regular square of 156 feet, that being the height of the side spires, and also the extreme width of the building. Its plan consists of three lofty arches of the same height, of which that in the middle is considerably the narrowest, the two side ones being of equal dimensions. These rest on triangular piers faced with shafts. At either extremity of this arcade are two lofty turrets, flanked at the angles by cl.u.s.tered columns, instead of b.u.t.tresses, which run the whole height of the turrets. These turrets connect the arcade with the western wall of the church, from which it is distant fifteen feet, which gives the appearance of great depth and beauty to the arches." [_Davys' Guide._]
"There was, perhaps little or no interval between the completion of the nave in the Circular style of architecture, and the erection of the north-west tower, in the Lancet, or first style of the Pointed. The original plan of the front, like that of Lincoln, comprised, no doubt, two towers rising at the western extremity of the side aisles of the nave, having a Norman base with circular lights, and an additional transept, projecting north and south beyond the line of the side aisles. But before this design could be carried into execution, architecture itself had undergone a change; pointed arches were subst.i.tuted for circular ones, and slender isolated columns for the cl.u.s.tered shaft, or solid cylinder. Hence the difference in style of the tower just referred to: the string moulding at the base of it, together with the superstructure, and the pinnacles and pediment which surmount the adjacent transept, being all of a later order than the work of the nave: and hence also the union of both styles in the transept itself--its lofty arches, parallel to the side walls, being highly pointed, but with the zigzag ornament, and resting on Norman shafts; and the doorways of the front having circular heads, in accommodation to the arches of the nave, but with pointed mouldings and pillars.
"The tower, towards the south, appears never to have been finished, although unquestionably included in the architect's design. The present base, above the transept, is of a comparatively modern date, and altogether inferior to the work of the north-west tower. In the progress of great undertakings it not unfrequently happens that fresh objects present themselves to the mind, which at first were not thought of. Such appears to have been the case in respect of this cathedral, the architect of which, while completing the front, seems to have caught a new idea--that of erecting two lofty turrets beyond the outer angles of the transept, towards the west, and of converting the intermediate s.p.a.ce into a sort of piazza, by arches constructed in front of the nave and closed in above by a vaulted roof. This idea so unique and at the same time so splendid, he was enabled to realize: and posterity, at the distance of six centuries, beholds with ineffable delight and admiration, a composition, the outlines and details of which, for their beauty and variety, render it one of the n.o.blest facades in existence. Towards the north and south are two lofty turrets, flanked at the angles by cl.u.s.tered shafts, rising from a projecting base and crowned with spires, the height of which from the ground, makes a square with the breadth of the front. The s.p.a.ce between these turrets is occupied by three pointed arches, reaching the whole height of the upper walls of the nave, and resting on triangular piers, which are faced with cl.u.s.tered shafts like those of the turrets, and terminate in octangular pinnacles, resting each upon a square bas.e.m.e.nt, and divided by a moulding into two stages, the upper one of which is perforated with narrow lights, edged with the dog-toothed quatrefoil.
The sides of the pier are lined with isolated columns in channelled recesses, each column sustaining a ribbed moulding of the arch above, and the whole series being finished with interlaced and foliated capitals.
"The centre arch is narrower than the outer ones, the reason of which will appear when we look at the situation of the doorways opening into the side aisles of the nave. Had the architect designed the three arches of equal breadth, the piers which sustain the centre arch must have stood immediately in front of these door-ways, or the outer arches must have been so contracted as to bring the turrets within the line of the transept, and thereby conceal, in part at least, the towers behind.
"This circ.u.mstance of itself shows that the turrets, piers, and arches, as they now exist, formed no part of the original plan. The interstices between the pillars which sustain the centre arch differ from those of the outer arches, in that they are chequered at regular distances with clumps of foliage, as if exuberance of ornament were designed to compensate for inequality in other respects. This inequality has been still further obviated by the erection of a porch, which, after a minute inspection, appears to have been inserted by way of support to the central piers, both of which had previously swerved from the perpendicular, as may still be seen. Over each arch rises a lofty pediment, bounded by the wave and billet ornaments, and surmounted by a perforated cross. The spandrils formed by the base of the pediment and the arches beneath, severally contain, first, a deeply recessed quatrefoil, above this two trefoil arches, and still higher two pointed arches, resting on slender pillars, and filled with statues,--and also a hexagon, the featherings of which clasp a human head.
"The pediments contain each a large circular light, with other apertures and niches. The circle of the central pediment is divided by mullions into eight lights, under trefoil arches radiating from an orb.
Those on the sides are divided into six lights, the featherings of which are very beautiful. The mullions, or radii, are all faced with small pillars and capitals, and lined with the dog-toothed quatrefoil.
The outer moulding of the central circle is composed of closely compacted trefoils, that of the others has the wave ornament. At the base of each circle is a series of trefoil arches, rested on isolated columns, four of which admit light into an apartment above the vaulting, and three contain statues. The intermediate s.p.a.ces formed by the circle and the pediment, contain two niches, one on each side and another above, all filled with statues. The niche in the apex of the central pediment contains a statue, apparently of St. Peter, to whom the church is dedicated, representing the apostle with the mitre, pall, keys, and other insignia of the bishop of Rome.
"The turrets, before mentioned, are divided by the round moulding and string courses into six stages, which are empannelled in front with arches of different forms and dimensions. In the first stage from the ground, and rising from a channelled base, are two lofty pointed arches resting on slender pillars. In the second stage are four trefoil arches similarly supported; this range is continued round the facings of the inner wall immediately over the doorways, and forms the base of the windows. The third stage contains one pointed arch, intersected by a pillar in the centre, with curved mouldings, forming two lesser arches; which last are again subdivided by pillars sustaining one circular arch in the centre, and segments of arches on the sides.